The detail stitch work is done. Today I worked on the asparagus field; it turned out to be easier to do than I thought it would be – I think the practice I did yesterday definitely helped. I also picked out the stitching for the small shrub beside the front door, and replaced it with something more recognizable as a small evergreen tree. I also added a few small evergreens just behind the house to provide a bit more Interest to the skyline.
Now I have to figure out how to “frame” the piece – I think I’m going to add a 2 1/2″ “frame” with piping on the inside edge (using the batik fabric I used as the underlay for the asparagus field). That’s for tomorrow.
Have I ever learned a lot about how to think about an art quilt piece. Some aspects of this quilt were done out of order – in part because Laurie was moving us along so we’d have the batting covered by the end of the workshop. I now realize the sky should have been tied down first – that would have avoided the big bubble in the sky fabric. The “woods” on the left were out of synch – the dark underlay should have been much less extensive so that the tree elements could have been positioned against the sky with sky showing through the trees. Also that would have allowed a more irregular skyline. The asparagus field in the foreground should not have been added until everything behind it was almost complete – I had to fight the free motion stitch work because the asparagus was already present.
Last, I came to realize in the beginning I was too tied to the tracing of the photo – this kind of art quilt needs a lot of improvisation. The original tracing is mainly to help set out the large areas of a piece – the details, however have to be invented as the work unfolds. It’s also clear that I need to carefully study a photo before I begin – just how carefully I didn’t appreciate before I began.
There will be one last photo once I complete the piece.