Sailboats In The Fog – II

I finally finished Sailboats In The Morning Fog – in time for the Tuesday class this past week. That involved the thread painting on the boats and their reflections in the water,and a bit of movement in the water on the right side of the harbour. Next I added a matte done in white muslin, followed with a dark grey piping, and finally a wide border/frame. I tried several different fabrics, some quite muted but in the end went with this one which brought out the greys of the reflections as well as the wooden insides of the boats. I used the two remaining strips of border fabric to create a hidden binding.

Sailboats

At class the gals all got their work close to finished (except for the hand sewing which they were going to do at home).

Linda had done the thread painting on her Nasturtium before she came. On Tuesday she added the white inner border, the yellow flange, and then the outer navy border. She added a hidden binding in the navy fabric she used for the outer border.

Nasturtium

Deb’s Bird of Paradise also turned out beautifully. Although nearly invisible, the purple piping does pick up the purples within the flower and hinted at in the foliage.

Bird Of Paradise

Pam did a lovely job on her wall piece Barn With Quilt – the thread painting, appliqué work on the tree on the left, created a very tactile bark.

Barn With Quilt

Faye’s Fall Walk captures the feel of a cool Nova Scotia fall day. The background was pieced and thread painted, the two figures were printed on fabric and applied to the scene. The red piping draws attention to the woman’s red jacket.

Fall Walk

Linda’s A Fall Day In The Woods brings the vivid fall foliage to life. Her framing of the scene strengthens the texture of the fall colours.

A Fall Day In The Woods

The gals were (as was I) delighted with their work. I wanted them to get the finishing touches on their art pieces in class. We didn’t quite make it, but the remaining hand work was going to be no barrier to them completing their projects.

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Sailboats In The Morning Fog

I was on a walk along the Halifax Harbourfront at 10am on a July morning in 2010. There were a couple of sailboats moored alongside the Acadia (a WW1 warship, now part of the Museum of the Atlantic collection) with the fog lifting in the harbour and the Dartmouth shore a pale form in the distance.

Moored Sailboats

I captured the moment – recently I added the photo to my collection of potential landscape/art quilts.

Partially Done

With the Art/Landscape class underway for a second time, I thought I’d give the sailboats a try. Sky with a bit more cloudy texture (because I had the perfect fabric), the opposite shore (heavily stitched), the water in a very soft blue-grey. I did some preliminary thread painting and texture building in the water on the left, then positioned the sailboats (printed on fabric, backed with fusible web, fussy cut) and pressed them in place. Now I have to add the reflections in the water to tied the image together. I elected to eliminate the small dock next to the Acadia and the just visible stern of the ship. I preferred just the two lone sailboats for my wall art piece. Although barely visible, I’ve used silk organza on the left of the image to represent the fog, added after the initial thread painting to blur the textile and stitching beneath.

I will work on the piece tomorrow in class so I can show the gals how I solve various technical issues – including creating an inner mat, making piping, and selecting fabric for the framing. They’ll also get to see how I go about thread painting with my feed dogs in the engaged position (I can’t free motion and obtain an even stitch length at all well, but I’ve figured out how to keep my feed dogs in position and do a “free-motion like” sewing). I want them to see how I do that.

I am probably also going to add a bit more movement to the water on the right, but not  until I’ve finished the reflections of the masts, the mooring lines, and rigging on the boats.

More after tomorrow – our second class (one more after that on framing and finishing an art piece).

Exhibition at Art Labs, Parrsboro 2017

Welcome Sign at Art Labs Parrsboro NS

Yesterday the exhibition of my eight quilts and eight textile wall art pieces opened at the Art Lab Studios and Gallery in Parrsboro NS. I have no wall space at home to hang these art quilts so it’s wonderful being able to see eight of them hanging in one location.

The opening yesterday afternoon was great fun – quite a few people were there and it was very interesting to observe visitors’ reactions, discovering the detail that goes into making one of these functional art works. You’ve seen each of these pieces while I was constructing it; I’ve written about each as I worked on it. Here is my production for the past year since I had a showing late August 2016.

Now to start on a new body of projects for a showing next year!

Wall #1

Asian Fabric Quilts

Grey/Yellow Quilt and Silk Quilt

Sunflower

Three Wall Art Pieces

Framed Wall Art Pieces

Waiting For Wind

Two Blue Quilts

Preparing for Parrsboro 2017

Quilts and Wall Art for Parrsboro

I’ve been spending today getting ready for the showing of eight new quilts and eight new wall hangings in the Parrsboro Art Labs during the first two weeks of September. First I had to write some kind of biographical blurb for the blast email they send out, then I had to write descriptions of each piece with photos of the front and back of each quilt. Yesterday I was at the lumber yard picking up nine 6′ lengths of 3/8″ dowels to hang the quilts (I still have to baste a temporary hanging sleeve on each), I bought some bulldog clips to hold the dowels at the Dollarstore. I still need a package of push pins to mount the clips to the walls. The showing isn’t until September 3 so I still have three weeks to get everything done in time.

I love seeing my art hanging in one spot. I don’t have room to display quilts in my apartment—they live folded over hangers in a closet. To have eight of them fully displayed at once is such a delight. I’m not expecting any of the quilts or wall art pieces will sell (the prices reflect the actual cost of the materials, as well as my labour and creativity, which sets the price well above what people locally expect to pay for a quilt; however, I consider my work to be art and so I’ve priced it accordingly). Nevertheless, these pieces of functional and decorative art will be seen by a reasonable number of people and that makes this extra work worth while.

I’ll post photos of the showing after it’s been hung in the gallery space. And if you’re interested, here’s last year’s show and the show the year before.

Foggy Morning – Completed

Done!

Just finished the hidden binding (with a sleeve for a rod to hang the art piece. I darkened the uprights on the fence a bit with permanent marker after I’d put on the dark piping – now the two are more balanced. The border fabric has the texture of old barnboard which brings out the colours in the scene in a way I’m happy with. That fabric was a lucky find yesterday – a fabric by Moda: grunge! And the distant fog obscures the trees and buildings in the distance but when you look more closely you can just make them out (as you would with fog).

Foggy Morning – Completed

That’s it for now. That gives me eight wall art pieces to take to Parrsboro beginning of September.

Foggy Morning – II

Here is the piece after working on it for a large part of the day.

First, I placed the fabrics for the distant background and middle ground, covered them with silk organza (which I fused to the fabrics below – I didn’t want to stitch over the organza (which would have destroyed the “fog” effect I was trying to achieve), instead, I did quite a bit of stitching to suggest the texture of the fields in the distance before fusing the organza in place.

Next, I laid in the foreground, including the fence (which I had very carefully cut out using very sharp scissors from the photograph printed on fabric – did that weeks ago). Then, I began edge stitching all those elements. I have maybe about 1/3 of the edge stitching done – some on the brush in the foreground and on the fence to hold them in place. I was beginning to feel the strain in my back so I stopped working to discover I’d just put in close to 5 hours on the project! Time slips away when I’m working on something like this – “I’ll just to this one more bit…” and before I know it, the day has disappeared.

Foggy Morning – In Progress I

Here is the original photo for comparison – it’s getting there. The colours are somewhat different, but when the thread work is done it should be closer to the photo – that’s what I’m aiming for, anyway!

Foggy Morning – Photo

Boys From Minerve 2010

Boys From Minerve 2010

Just finished – well I have to hand stitch down the hidden binding (I’ll do that this evening) – but otherwise it’s done. This is based on a photo of two boys watching some men working that I took in Minerve (in the south of France in the vicinity of Limoux) in 2010. I enlarged the photo a bit, enlarged the boys a bit more, printed the resultant image on fabric, cut out the boys carefully and some of the rocks of the roadway, then used fused appliqué to build up the rest of the image. Carefully edged stitched all the bits of fabric, then thread painted the rest. I also darkened the grey fabric of the roadway using some fabric pastels to blend the colour better with the paving rocks.

I wasn’t sure the piece was going to turn out but I’m happy with the outcome. Trying to find a fabric to “frame” it took a bit of looking around. In the end I found this half yard in my stash of batik fabrics – I chose it because the green/grey blended with the roadway, and the hint of pink makes the boy’s shirt stand out. The blue embroidered signature does the same for the smaller boy’s jacket.

I captured the image through a lattice on the porch of a nearby house – the heavy brown bars – I thought about leaving them out but they frame the boys and draw your attention to them.

So another piece finished for the exhibition in Parrsboro at the end of August.