I was on a walk along the Halifax Harbourfront at 10am on a July morning in 2010. There were a couple of sailboats moored alongside the Acadia (a WW1 warship, now part of the Museum of the Atlantic collection) with the fog lifting in the harbour and the Dartmouth shore a pale form in the distance.
I captured the moment – recently I added the photo to my collection of potential landscape/art quilts.
With the Art/Landscape class underway for a second time, I thought I’d give the sailboats a try. Sky with a bit more cloudy texture (because I had the perfect fabric), the opposite shore (heavily stitched), the water in a very soft blue-grey. I did some preliminary thread painting and texture building in the water on the left, then positioned the sailboats (printed on fabric, backed with fusible web, fussy cut) and pressed them in place. Now I have to add the reflections in the water to tied the image together. I elected to eliminate the small dock next to the Acadia and the just visible stern of the ship. I preferred just the two lone sailboats for my wall art piece. Although barely visible, I’ve used silk organza on the left of the image to represent the fog, added after the initial thread painting to blur the textile and stitching beneath.
I will work on the piece tomorrow in class so I can show the gals how I solve various technical issues – including creating an inner mat, making piping, and selecting fabric for the framing. They’ll also get to see how I go about thread painting with my feed dogs in the engaged position (I can’t free motion and obtain an even stitch length at all well, but I’ve figured out how to keep my feed dogs in position and do a “free-motion like” sewing). I want them to see how I do that.
I am probably also going to add a bit more movement to the water on the right, but not until I’ve finished the reflections of the masts, the mooring lines, and rigging on the boats.
More after tomorrow – our second class (one more after that on framing and finishing an art piece).
Welcome Sign at Art Labs Parrsboro NS
Yesterday the exhibition of my eight quilts and eight textile wall art pieces opened at the Art Lab Studios and Gallery in Parrsboro NS. I have no wall space at home to hang these art quilts so it’s wonderful being able to see eight of them hanging in one location.
The opening yesterday afternoon was great fun – quite a few people were there and it was very interesting to observe visitors’ reactions, discovering the detail that goes into making one of these functional art works. You’ve seen each of these pieces while I was constructing it; I’ve written about each as I worked on it. Here is my production for the past year since I had a showing late August 2016.
Now to start on a new body of projects for a showing next year!
Asian Fabric Quilts
Grey/Yellow Quilt and Silk Quilt
Three Wall Art Pieces
Framed Wall Art Pieces
Waiting For Wind
Two Blue Quilts
Quilts and Wall Art for Parrsboro
I’ve been spending today getting ready for the showing of eight new quilts and eight new wall hangings in the Parrsboro Art Labs during the first two weeks of September. First I had to write some kind of biographical blurb for the blast email they send out, then I had to write descriptions of each piece with photos of the front and back of each quilt. Yesterday I was at the lumber yard picking up nine 6′ lengths of 3/8″ dowels to hang the quilts (I still have to baste a temporary hanging sleeve on each), I bought some bulldog clips to hold the dowels at the Dollarstore. I still need a package of push pins to mount the clips to the walls. The showing isn’t until September 3 so I still have three weeks to get everything done in time.
I love seeing my art hanging in one spot. I don’t have room to display quilts in my apartment—they live folded over hangers in a closet. To have eight of them fully displayed at once is such a delight. I’m not expecting any of the quilts or wall art pieces will sell (the prices reflect the actual cost of the materials, as well as my labour and creativity, which sets the price well above what people locally expect to pay for a quilt; however, I consider my work to be art and so I’ve priced it accordingly). Nevertheless, these pieces of functional and decorative art will be seen by a reasonable number of people and that makes this extra work worth while.
I’ll post photos of the showing after it’s been hung in the gallery space. And if you’re interested, here’s last year’s show and the show the year before.
Just finished the hidden binding (with a sleeve for a rod to hang the art piece. I darkened the uprights on the fence a bit with permanent marker after I’d put on the dark piping – now the two are more balanced. The border fabric has the texture of old barnboard which brings out the colours in the scene in a way I’m happy with. That fabric was a lucky find yesterday – a fabric by Moda: grunge! And the distant fog obscures the trees and buildings in the distance but when you look more closely you can just make them out (as you would with fog).
Foggy Morning – Completed
That’s it for now. That gives me eight wall art pieces to take to Parrsboro beginning of September.
Here is the piece after working on it for a large part of the day.
First, I placed the fabrics for the distant background and middle ground, covered them with silk organza (which I fused to the fabrics below – I didn’t want to stitch over the organza (which would have destroyed the “fog” effect I was trying to achieve), instead, I did quite a bit of stitching to suggest the texture of the fields in the distance before fusing the organza in place.
Next, I laid in the foreground, including the fence (which I had very carefully cut out using very sharp scissors from the photograph printed on fabric – did that weeks ago). Then, I began edge stitching all those elements. I have maybe about 1/3 of the edge stitching done – some on the brush in the foreground and on the fence to hold them in place. I was beginning to feel the strain in my back so I stopped working to discover I’d just put in close to 5 hours on the project! Time slips away when I’m working on something like this – “I’ll just to this one more bit…” and before I know it, the day has disappeared.
Foggy Morning – In Progress I
Here is the original photo for comparison – it’s getting there. The colours are somewhat different, but when the thread work is done it should be closer to the photo – that’s what I’m aiming for, anyway!
Foggy Morning – Photo
Boys From Minerve 2010
Just finished – well I have to hand stitch down the hidden binding (I’ll do that this evening) – but otherwise it’s done. This is based on a photo of two boys watching some men working that I took in Minerve (in the south of France in the vicinity of Limoux) in 2010. I enlarged the photo a bit, enlarged the boys a bit more, printed the resultant image on fabric, cut out the boys carefully and some of the rocks of the roadway, then used fused appliqué to build up the rest of the image. Carefully edged stitched all the bits of fabric, then thread painted the rest. I also darkened the grey fabric of the roadway using some fabric pastels to blend the colour better with the paving rocks.
I wasn’t sure the piece was going to turn out but I’m happy with the outcome. Trying to find a fabric to “frame” it took a bit of looking around. In the end I found this half yard in my stash of batik fabrics – I chose it because the green/grey blended with the roadway, and the hint of pink makes the boy’s shirt stand out. The blue embroidered signature does the same for the smaller boy’s jacket.
I captured the image through a lattice on the porch of a nearby house – the heavy brown bars – I thought about leaving them out but they frame the boys and draw your attention to them.
So another piece finished for the exhibition in Parrsboro at the end of August.
I had to take a break from hand stitching the hidden binding on the back. I’ve got it half done, I’ll finish the task later this evening. (My hand stitching isn’t fully back to where it was before my thumb decided to stop working, but I can control the needle much better than I could before the carpel tunnel surgery!).
I had intended doing a pillowcase backing but the backing silk fabric just would not stay flat and in place, so in the end I began the quilting starting in the centre and worked outward toward the sides, doing my best to keep the silk backing from sliding around. I tried pinning the quilt sandwich but couldn’t get the backing layer to lay flat so in the end I removed all the safety pins, just pinned the top and one side edge and then did my best to keep smoothing the backing as I stitched each quilting seam. A much more difficult task than I had expected. To get the unbound look I was after on the finished quilt, I did a hidden binding using some bronze embroidered silk fabric that came with the other two pieces, so it matched. I considered machine stitching the binding in place, but I like this unbound look with the quilting stitching coming to the very edges.
Silk Quilt – Top
When the quilting was finished the back wasn’t too bad, Still a bit of fullness in spots, but when steam pressed again it will be reasonably flat. And I like the embroidery in the fabric – it provides a bit of visual interest.
Silk Quilt – Back With Hidden Binding
Just two sides left to hand stitch – the label is already sewn in place.
The finished quilt is smallish when compared to most of my other quilts – similar width but shorter (my lap quilts are usually about 5 1/2′ long – this quilt is 55″). It’s still long enough to cover a person (maybe a shortish one), but it would make a nice hanging for a hallway, or bedroom.